“After moving among all of these speakers in my mind, I came back to the same point: each competitor could claim a particular advantage. The QLN combines much of Wilson’s resolution, the Joseph’s disappearing act, and Sonus Faber’s tonal color. However, it doesn’t mimic any of them, and it doesn’t have to win every isolated category to make its case. What it does better than most is remain adaptable to a wide range of music and systems. It is the Prestige Five Gen 2’s clearest competitive advantage.”
Full review can be found here