In Episode One, I had listened to the previous drivers in the Bhaava for two hours, then removed them and installed the new drivers. In the first two hours, many wonderful things were happening, but there was a nagging dry, papery coloration, only noticeable on female vocals. I let them rest over the weekend, pondering: is it the whizzer? Is it the transition from main cone to whizzer? Is it a reflection of the rear wave off the rear of the top of the labyrinth coming through the paper cone? Will it go away with break-in? I all but dreamed about it over the weekend.
Yesterday, returning to the same system as before, having neither touched nor moved anything, it was gone. Perhaps the drivers just needed a rest after flying halfway ’round the world. Jetlag? Who knows? But it was gone from the first minute.
As the Auqua HiFi La Scala MkII Optologic DAC, (hereafter referred to as the La Scala; I’m tired of typing all that), Shindo Monbrison and Shindo Cortese F2A warmed up, extraordinary things began to happen.
The musicians and instruments appeared across the front of the room, hanging in the air like holograms, but not as some translucent, anemic waifs from beyond, but rather fully kitted out with blood, breath, bones and sinew. Not typical of widebanders/FR. (Looking at you, Lowther, Fostex.)
I tend to sit on the couch, reading, writing, or fending off the dog, and music plays, but I’m not necessarily caught up in it, especially when I’m putting something through initial break-in as I am now. That’s not happening with the Bhaavas. Frank Sinatra, Diana Krall, Melody Gardot, SRV, all DEMAND my full attention. Not only are voices and instruments unique in timbre, dynamics, pitch accuracy, etc, differences in recording and mixing declare themselves with a clarity I don’t think I’ve experienced before, certainly not at this price level. Each album is unique in its approach and execution. Audio Note refers to this as comparison by contrast. Never mind comparing what you hear to some abstract absolute; that’s nonsense. The ability to communicate the differences in all aspects between recordings tells you a very great deal about what kind of a job a component, or system, is doing.
What I’m hearing from the Bhaavas, what I’m hearing from this system, tells me that its doing a truly exceptional job. I think this is what I’ll be using to evaluate the recording sessions with The Royal Boys, a local bluegrass/Americana/roots trio, next week.
In the meantime, I’ll just settle in, give the recordings I have on hand my full attention and ENJOY!